Gender, Literature and Religion in Africa

Auteurs-es

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##plugins.pubIds.doi.readerDisplayName## https://doi.org/10.57054/codesria.pub.239

Mots-clés :

Genre, Literature, Religion, Caire

Synopsis

Studies in literature and religion are particularly vulnerable to accusations of subjectivity and bias, because by their very nature they deal with subjectivities and people’s perceptions of their own identity. In the past, on the basis of a patriarchal worldview, literature and religion were seen as value-free and neutral, and a gendered perspective was not taken into account. Today, an increasing amount of research is revealing the gendered fault-lines in works of fiction and in religious beliefs.

This volume showcases the diversity and depth of research that is currently taking place on the African continent in this field. The specifically African gendered experience is brought to the fore, through the critical discussion of proverbs, oral histories, resistance, and male dominance. Gender, Literature and Religion in Africa highlights continuing gender bias, often at the level of the sub-culture.

Chapitres

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Bibliographies de l'auteur-e

Elizabeth Le Roux

is the Director of Publications and Communications at the
Africa Institute of South Africa, Pretoria. With qualifications in French and English
literature and translation, she has published on issues relating to scholarly
publishing, the media, and African women’s writing. She also works in an editorial
capacity on several journals, including Africa Insight, African Identities and Social
Identities.

Mildred A.J. Ndeda

holds a Phd. in history from Kenyatta University and is a
senior lecturer in the Department of History, Archaeology and Political Studies,
Kenyatta University. Her areas of specialisation includes the history of women
and the history of religions in Africa.

George Nyamndi

 studied modern letters at the University of Lausanne in
Switzerland where he obtained a doctorate degree in 1983, and has been on the
staff of the English Department at the University of Buea in Cameroon since.

F.E.M.K. Senkoro

is an Associate Professor of Kiswahili and Literature (with
emphasis on Children’s Literature) and currently Head of Kiswahili Department,
University of Dar es Salaam, Tanzania. He holds a BA, MA and PhD from the
University of Dar es Salaam, and an MA (Comp. Lit) from the University of
Alberta, Canada. He has published extensively on various aspects of African
literature, especially on Kiswahili literature, including 9 books, two novels and a
collection of short stories. In 2001, he was awarded the prestigious East African
Shaaban Robert Prize for Kiswahili Language and Literature.

Isaac Ssetuba

holds a BA with Education from Makerere (Uganda), a Master in
Comparative Literature from Besancon (France). He has also read the basics of
Arabic and Islamics in Riyadh (Saudi Arabia). He was a CODESRIA Gender
Institute laureate in 2001, in Dakar (Senegal). His working experience has been in
translating, media relations, and teaching. An independent researcher and
translator, he is currently undertaking a professional course in translation/
Interpretation in Buea (Cameroon). Ssettuba's main research interests are in
language, literature and religious thought, but he also enjoys writing poetry

Références

Amadu, Malum and Gulla Kell, 1972, Amadu's bundle: Fulani tales of love and djinns, London: Heinemann Educational Books.

Abu-Haidar, Farida, 1999, 'Angst and Rebellion in the Fiction of Amin Zaoui', RAL, Fall.

Bâ, Mariama, 1981, So Long a Letter, Trans. Modupé Bodé-Thomas, Oxford: Heinemann.

Beyala, Calixthe, 1996, Les honneurs perdus, Paris: Albin Michel.

Brown, Lloyd, 1981, Women Writers in Black Africa, Connecticut: Greenwood Press.

De Beauvoir, Simone, 1974, The Second Sex, trans. H.M. Parshley. New York:Vintage Books.

De Vita, Alexis Brooks, 2000, Mythotypes: Signatures and Signs of African Diaspora and Black Goddesses, Westport: Greenwood.

Donovan, Josephine, ed., 1989, Feminist Literary Criticism: Explorations in Theory, Kentucky: The University Press of Kentucky.

Dubey, Mahdu, 1989, Black Women Novelists and the Nationalist Aesthetic,Bloomington: IUP.

Horne, Naana Bangiwa, 1986, 'African Womanhood: The Contrasting Perspectives of Flora Nwapa's Efuru and Elechi Amadi's The Concubine', in Carole Boyce Davies, and Anne Adams Graves, eds., Ngambika: Studies of Women in African Literature, New Jersey: African World Press Inc.

Jacobsen, Joyce, 1998, The Economics of Gender, Oxford: Blackwell.

Jaffer, Alison, 1983, Feminist Politics and Human Nature, Totowa, N.J.: Rowman & Allanheld.

Jameson, Frederic, 1974, Marxism and Form: Twentieth Century Dialectical Theories of Literature, Princeton: Princeton University Press.

Little, Kenneth, 1980, The Sociology of Urban Women's Image in African Literature, London: Macmillan.

Mainimo, Wirba Ibrahim, 2001, 'The Rise of the Cameroonian Feminist Novel', in Charles Nama, ed., Epasa Moto, Limbe: Presprint, 1.4, pp. 29-61.

Ngeyi, Stanley-Pierre, 1993, I See War, War, Real War everywhere, Ypsilanti: Mt. Zion Publishing Co.

Ngugi wa Thiong'o, 1967, A Grain of Wheat, London: HEB.

Nkosi, Lewis, 1981, Tasks And Masks: Themes and Styles of African Literature, Essex: Longman.

Nyamndi, George, 1996, 'The Cattle of Lake God: Symbolism and Meaning', in Charles Nama, ed., Epasa Moto, Limbe: Presprint, 1.3 pp. 228-232.

Oduyoye, Amba, 1979, 'The Asante Woman: Socialization Through Proverbs', in Alex Iwara, ed, African Notes, Ibadan: HEB, VIII.1, pp. 5-13.

Roscoe, Adrian, 1971, Mother is Gold: A Study in West African Literature, Cambridge: CUP.

Said, Edward, 1975, Beginnings: Intentions and Method, New York: Basic Books Inc., Sartre, Jean-Paul, 1956, Being and Nothingness, trans. Hazel E. Barnes, New York: Philosophical Library.

Stora, Benjamin, 1999, 'Women's Writings between Two Algerian Wars', RAL, Fall.

Tong, Rosemary, 1997, Feminist Thought, Chatham: Mackays.

Volet, Jean-Marie, 2001, 'Francophone Women Writing in 1998-99 and Beyond: A Literary Feast in a Violent World', RAL 32.4, pp. 189-199.

Zaoui, Amin, 1985, Salil al-Jasad (The Inordinate Passions of the Body), Damascus: Al-Wathba.

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